Anthropocene: Traces of Another Time in the Landscape book project solicited for AnthropoScene book series, Maria Whiteman and Hugh Crawford (University Park: Pennsylvania State University Press), forthcoming
“Eco-love in a world we share with fungi and other living organisms,” Polygraph Journal, Duke University May 2019 (forthcoming)
“Touching Polar Bears,” Howe, Cymene and Pandian, Anand. "Lexicon for an Anthropocene Yet Unseen." Theorizing the Contemporary, Cultural Anthropology website, June 2017. https://culanth.org/fieldsights/1154-death
“Landscape and Inscription,” Multispecies Studies. with Cary Wolfe, Edited by Thom van Dooren, Ursula Münster, Eben Kirksey, Deborah Bird Rose, Matthew Chrulew, and Anna Tsing. Environmental Humanities, October 2016, DukeUP website: http://environmentalhumanities.dukejournals.org/content/8/1.toc
Wildlife and Oil: In the Air,” Maria Whiteman, Antennae: The Journal of Nature in Visual Culture, Vol. 36, Pp 95 ( June 2016)
“Plastic Blue Marble,”Catalyst. (with Amanda Boetzkes). Edited by Ted Hiebert. Seattle & Victoria: Noxious Sector Press. (Forthcoming: Summer 2016) http://noxioussector.net/catalyst.php
Paved Meant Vol. 1 (2012-2014). Memories of a Naturalist by David LaRiviere. Exhibition Paved Gallery, Saskatchewan
Sublime Animal” Liza Piper and Lisa Szabo, eds., Sustaining the West: Cultural Responses to Western Environments, Past and Present. Waterloo: WLUP, March, 2015
“Bird Thanatology.” Maria Whiteman and Amanda Boetzkes in Conversation. Antennae: The Journal of Nature in Visual Culture 20 (2012): 72-79.
“Hiking the Suburbs.” Photo-essay. Public 43 (2011): 31-32, 125-128, 139, 154, 170-173.
“Oil Landscapes.” Review of Edward Burtynsky, Oil. American Book Review 33.3 (2012), forthcoming.
“The Solemn Geographies of Human Limits: Art, Space and Gender.“ Resources for Feminist Research 29.3/4 (2003): 213-222.
“The Big Picture: On the Politics of Contemporary Photography” (with Imre Szeman). Third Text 23.5 (2009): 552-556.
“Wildlife, Natural and Artificial: An Interview with Peter Watts" (with Imre Szeman). Extrapolation 48.3 (2007): 604-620.
“Irreversibility, or, The Global Factory” (photo and text, with Imre Szeman). Framework: The Finnish Art Magazine 4 (December 2005): 36-37.
“Visual Culture.” In Johns Hopkins Guide to Literary Theory and Criticism. Ed. Michael Groden, Martin Kreiswirth and Imre Szeman. Second Edition. Baltimore: Johns Hopkins UP, 2005. 924-926.
“Future Politics: An Interview with Kim Stanley Robinson” (with Imre Szeman). Science Fiction Studies 93 (2004): 177-189
“Oil Imag(e)inaries: Critical Realism and the Oil Sands” (co-written with Imre Szeman). Imaginations: Journal of Cross-Cultural Image Studies 3.2 (2012): 46-67. Oil Imag(e)inaries [1.26MB]
The Retreat (edited with Imre Szeman and Heather Zwicker). Special issue of Public: Art / Culture / Ideas 50 (2014), Nov, 2014
“Im(mobility).” Photo-essay co-author Cary Wolfe, for Global Animal, special issue of English Studies in Canada, edited by Karen Ball and Melissa Haynes, in preparation, Fall 2014
“Where Do We Go From Here? Photo-essay. Photography and Culture 5.1 Volume 6, Number 2, July 2013, pp. 225-233(9)
Review of Ron Broglio, Surface Encounters: Thinking with Animals and Art. Anthrozoos, Volume 26, Number 2, 2013, pp. 311-314(4)
“Taxonomia.” Photo-essay. The Minnesota Review 78 (2011): 53-61.
“Edge Effects.” The Goose: Association for Literature, Environment, and Culture in Canada 9 (2011): 9-11.
"Skylight: Paintings by Jean Hanson and Robin Hesse." Catalogue essay for exhibition held at Burlington Art Gallery, September 2003.
"Process and Presence: Paintings by Robert Cadotte and Peter Kirkland." Catalogue essay for exhibition held at Burlington Art Gallery, October 2002.